![]() In addition, the Mutator's eight fine-tuning controls provide quick access to eight sound properties, such as brightness, bass, resonance, distortion and effects, for instant tweaking of your newly created sounds. ![]() All of the newly-generated sounds and variations can be compared in the new Sound History window, and then be tagged with your desired attributes and saved for future use. ![]() The Randomize fader provides additional random variations. Oscillator settings, filters, envelopes, effects - or everything together. It's also easy to define which elements of the sound should be mutated - e.g. This can be easily done using the KoreSound Browser, where you can find all your desired musical properties/attributes. If, for example, you want to add a "dirty" character to a soft pad sound, you could take the characteristics of a distorted bass from the ABSYNTH Library and apply them to the pad. The new Mutator technology represents an entirely fresh approach to sound design, allowing the intuitive combination of sound characteristics from several sounds of the factory library, without dealing with the complex Editor Pages of the oscillators, envelopes and effects sections. With ABSYNTH 5 you do not need deep knowledge of synthesizers or sound design skills to create your own professional sounds. In total, the number of ABSYNTH 5 sounds now stands at around 1,800. In addition, there are 30 new effect settings for using ABSYNTH 5 as an extraordinary effect unit. Several new filter models are available, including an exceptional two and four pole lowpass and a multi-pole allpass filter for phasing and resonant effects.ĪBSYNTH 5 contains more than 200 new synth sounds, fully taking advantage of the new filter and effects, to create brand-new, unusual sound material. ABSYNTH 2 runs completely in stereo, and each oscillator can be dynamically panned by its powerful envelopes. Antialiasing can be switched on or off per oscillator to choose between smooth analog highs, or cool digital jitter. A new Link mode allows multiple envelopes to be chained together, with adjustable time, amplitude, and slope scaling – perfect for detuned chords, phasing filters, or for mirroring the sample playback position with filter resonance, for instance.ĪBSYNTH 2's revised DSP core delivers warm and sparkling sounds, with many optimizations for efficient operation. Each envelope can be modulated with its own graphically displayed variable speed LFO for creating living, breathing sounds. ![]() It's now possible to dynamically control an envelope (or a group of envelopes!) with a MIDI controller to morph and twist the sound with a single gesture. Each envelope can contain up to sixty-eight breakpoints and can be synced to the tempo. Nearly every synthesis, sampling, and effect parameter can be controlled by ABSYNTH's envelopes. A built in context-menu library of waveforms, envelopes, and even entire oscillator channels enables the quick construction of complex, evolving sounds with just a few clicks. Waveforms can be drawn by hand or created by sketching harmonics. Each voice has six synth oscillators (or three sampling oscillators), four filters, three ring modulators, and a wave shaping distortion function. ABSYNTH 2's patch window makes it easy to mix sampling, granular sampling, subtractive, wavetable, FM, AM, ring modulation, and wave shaping synthesis. ABSYNTH 2 includes more than 800 evocative, expressive, and musical presets that cover an astonishing range of territory. A versatile semi-modular architecture and clean interface make it effortless to sculpt everything from organic textures to rhythmic madness, from time-evolving soundscapes to vintage sounds. ![]() ABSYNTH 2 uses a combination of multiple synthesis techniques, granular sampling, and flexible envelope control. ![]()
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